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On Saturday, actress Dakota Johnson headed to the Deadline’s Contenders Party in New York City carrying a snow white wrap gown from the Self-Portrait RTW Spring 2022 assortment. The very long sleeves partially coated her arms and the free draping gave a mild emphasis to her hourglass figure. The skirt of the robe featured a slit up to just above the knee.
Johnson paired the gown with black pointed-toe heels and a uncomplicated gold pendant. She remaining her extensive, golden-brown hair down above her shoulders in mild waves.
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Johnson’s new Netflix motion picture The Lost Daughter was getting promoted at the function and she appeared on stage with writer and director Maggie Gyllenhaal and co-star Peter Sarsgaard. During the panel job interview, Johnson discussed how she was nervous to enjoy an unlikeable character.
“The preliminary feeling was, ‘Oh, I’m a tiny little bit fearful to participate in this youthful lady who’s obtaining a truly tricky time as a mom,’ for the reason that that is commonly a very unlikable man or woman,” Johnson stated. “But it’s so regular and it’s so truthful, and it was some an individual that I identified additional than, you know, a youthful mom who’s who receives every little thing perfect and is feeling wonderful about it and super pleased and all the time does not waver from that.”
She then praised Gyllenhaal’s help on set, assisting her function by means of people challenges.
“Having Maggie there, who understands what it feels like to be an actor performing, manufactured me come to feel so safe and sound and so noticed and genuinely cherished,” she claimed. “And that manufactured me come to feel like I could do truly extreme matters and nevertheless be held. And even in the edit, be held, and that is some thing like as an actor you conclude up observing the film and you’re like, ‘That’s not what I did.’”
She added, “It was like she provided me her hand and mentioned, ‘Come with me. Let’s go on this journey of, like, reality.’ And that can be scary but also liberating, and that is the stage. And I was like ‘Yes!’”
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