New York – The tragedy of Brian Wilson’s life is the story of rock and roll that is often told.

Addendum – he’s almost 80 years old and seems to be supported personally and professionally in an unprecedented way – is not very familiar.

Despite a few awkward moments in Brian Wilson: The Long Promised Road, this important update marks the point of the documentary that premiered Tuesday at the Tribeca Film Festival in New York.

The film focuses on a series of trips through Southern California voiced by Wilson and Rolling Stone magazine editor Jason Fine, listening to music and sometimes stopping at restaurants. There is a comfortable level between the two. Fine is a journalist who has become friends.

Wilson, the creativity behind the Beach Boys, appealed to the abusive and persistent father, the schizoaffective disorder of psychosis. Endured with a quack psychologist who effectively captured him for 10 years after years of substance abuse.

“He’s not commendable for his music,” says Elton John in the film. “He deserves praise for his private life.”

John, along with Bruce Springsteen, Don Was and Linda Perry, eloquently explains why Wilson’s work is unique, sustainable and important to engaging both the film and the fans.

Film director Brent Wilson (irrelevant) contacted Fine after his own attempt to interview Wilson met with little success. Fine said his own experience with the musician taught him that “being there when he was ready to speak was always a big thing for Brian.”

So they set out and ended up shooting around 70 hours.

Wilson’s importance to Southern California is evident at several stops along the way. The sign shows where the Beach Boys album cover was recorded. Brian, Dennis and Carl Wilson’s Hawthorne youth homes are no longer there, but badges are.

“I didn’t feel that Brian’s story, Brian’s third act, was done right,” Fine said in an interview with The Associated Press. “I think Brian is often viewed as a hermit, a victim, a burned-out (and) … a lost one,” he said. “I don’t see Brian like that. I’ve seen him as a hero, a brave person, since I’ve known him, and he strengthens and inspires everyone who goes to his show. “

“I wanted to show people Brian’s humanity, dignity, kindness, humor and curiosity,” said Fine.

In the film, Fine is parked in front of the former home of Wilson’s brother Karl. Died of lung cancer in 1998 at the age of 51. There is a risk of a fine. Wilson wants to stay in the passenger seat. The camera shows Wilson wiping away his tears.

At another point, walking past the place where he once owned a health food store, Wilson says, “I didn’t have a boyfriend to talk to for three years.”

There are very uncomfortable moments of exploitation. Wilson is clearly a wounded soul, and for him one sometimes wonders if the dignity of privacy served him better on the “long-promised path”.

Fine doesn’t see it that way.

“I don’t think it’s exploitative because everything is done in Brian’s condition and comfort,” he said.

Wilson himself made a zoom call with a reporter and said very little. When asked why he agreed to work on the film, he said, “I don’t know. I’ve just made up my mind. “

Fine said Wilson’s stimulatory fandom levels are intimidating at times. Wilson always doubted it after the show where Wilson and his band played the “Pet Sounds” album, but now he thinks people love his music and he does. He was supposed to be hit once when he thought he was doing what he was doing.

“You’d think he’d have felt that for the last 60 years or so. People sang and shouted for his music and stood on stage, ”he said. “But what you feel inside is different from what comes from external sources. I think he feels love and I think it’s huge. “

After years of negativity, Wilson now leads a positive, supportive, and personal life with his wife, Melinda, and family. He’s also surrounded by musicians who clearly respect him and are committed to bringing to life what John called the orchestra in Wilson’s head.

Perhaps Wilson admitted to himself that he had done something very significant to others, he said.

“Such a simple message that I really wanted to convey to people through his music from the 1960s – a feeling of warmth, a feeling that music is just as okay as it lifted him out of the dark, he’s a different person . Try it for, ”he said. “He’s more ready to do it now than he was in his early career and I think it’s a great comfort to him.”

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